I just picked up the latest vintage alteration from my tailor. This YSL silk satin fuchsia blouse was a lucky find that had never been worn but was several sizes too big. It needed to be taken in and the shoulders had to be recut. Inspired by vintage Vogue Patterns of Yves Saint Laurent creations, I asked my tailor to create a thinner necktie from the wide necktie fabric. The after photo, I think, shows the difference good tailoring can make in updating a vintage garment and keeping it wearable for many more years.
A month ago I went downtown to A Current Affair, an impressive Los Angeles vintage fair, and came home with a vibrant purple Yves Saint Laurent blouse. It’s always risky going to vintage fairs where many dealers, both local and from around the country, congregate to offer up their collections. Because there is so much temptation and very little time to think, a vintage fair can be a day of mixed emotions: from the joyful high you feel coming away with that one of a kind item, to the sorrowful regret you experience over holding back and returning home empty-handed. In my case, the happiness I felt buying an Yves Saint Laurent garment, was slightly blunted by the fact that I would need to remove the necktie in order to make the blouse modern and wearable. And so, the day after the fair, I planned a visit to my tailor.
Though I’ve stood in my tailor’s studio many times over the years, contemplating what changes to make to a garment, this YSL blouse was different. Because of the removal of the necktie, a new neckline with a trim had to be constructed. Despite the fact that the necktie could still be worn as a type of scarf with the blouse and the original buttons and pleating remained intact, I felt a slight twinge of guilt at altering the 80s design. But through the process of disassembly, I came to see the blouse as something regenerated, a garment that enfolds the original while having a separate life from it. More than likely, in its original form, my blouse would have remained an inspiration garment for fashion designers, stored away in a studio – frozen in time without a chance at a second life in a new setting.
I don’t think I’m kidding myself when I say that Saint Laurent himself would have approved of the transformation process – his Rive Gauche line was fundamentally about experimentation and creativity. In a 1972 interview he explained his philosophy this way: “With ready-to-wear you can play around with the many parts of clothes and change them. In couture you can’t play with clothes.” After all, cutting and sewing is at heart about play and repurposing. Or put another way, it’s about the spirit of the idea taking flight.
If you’re looking for inspiration this holiday season, it’s worth checking out the latest Yves Saint Laurent exhibit at the Seattle Art Museum on view until January 8, 2017. The show will travel on to the Virginia Museum of Fine Arts from May 6-August 27, 2017. But if you can’t make it to the museum, the exhibition catalogue by Rizzoli offers a multidimensional look behind the scenes of Yves Saint Laurent. After looking through my copy yesterday, I think the book would make a great gift for yourself or for the fashion lover in your life. Highlights include many previously unseen documents from the Fondation Pierre Bergé and Saint Laurent’s maison de couture or paper doll collection fabricated out of cut paper when the designer was only a boy. Click here for a look at the current exhibit at the Seattle Art Museum.